In residence: Ernest Truely
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Cows Art and rock 'n' roll.
A building site is something that would engage our surrounding (and ourselves) and give direct opportunity for exchange of knowledge. People would come and say;" no, dont do it like that, or use this material, etc…
This happened, and via this also a lot of help, that we got from the farm and others in the village, that drove more than 20 hours digging machine and moved more than 200 tons of soil. In exchange of all this time and effort, we promised to make a barn party after, with a special band and to invite the american car club. Which meant that after the M12 project, we worked with our interns, friends and visiting artists on cleaning the barn, building furniture and outdoor toilets, setting up a bar, etc, to make the barnfest possible. In the end of it all, together with trash performance of artist in residence Ernest Truely, the party paid back what we got from the village, and a successfull project was round.
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Elder’s Hill is a collaborative project by M12 (USA) and Kultivator (SE), made site-specifically in
Öland Sweden. This work is emblematic of M12 and Kultivator’s artistic practice, based largely around
cultural exchange in a rural context and in the case of Elder’s Hill, particular attention the sharing
of intergenerational knowledge. Elder’s Hill is a part of a much larger and on-going project initiated
by M12 and Kultivator in 2011, titled Gran’s University,
"The past is a foreign country: they do things differently there."
L. P. Hartley (1895–1972),
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With Big thanks to all the participants
Background:
The inspiration for us to start the project Grans´ university, comes from the initiative of Mrs Vendana Shiva, India, that started up her Grandmothers university in Navdanya, North India, in 2003.
"…is aimed at both celebrating and validating the wisdom of our grandmothers, as well as transmitting this to future generations…"
What drew our attention, was that she did this as a reaction on the 9.11 attacks in 2001. The idea of turning to the grandmothers when times get hard inspired us, since they are not usually considered the ones that have the answers when it comes to great challenges of the future.
We are now, far more than terrorism, facing enormous challenges considering farming and food security, due to a specialized and alienated technological development since the green revolution of the 60:es. At this moment in time, we have the possibility to turn to the last generation in our part of the world that was still around before this. We have to look for and find ways to preserve and share knowledge that does not capture in text, to resurrect the deep connection between culture and agriculture, for a future where we do things differently.
Gran´s university wants to be the beginning of a movement that rethinks and rediscovers sustainable systems used by previous generations, mediated through art… Farming and taking care of food are areas where we know for sure that there is an accumulated experience, and we can see that it only partly has transcend into today's highly specialized systems. The reason why some certain ways of doing things has not transcend, might be that they were replaced by something that was better, but it could also be that some certain things just missed an adequate form and context to be “handed over” with, or in. The artistic investigation into this form, is the core of the project Gran´s university. Setting this up is thus not just investigating forgotten techniques for farming and living sustainably, but, equally important, play with the relation of art and the “real”. Can we move on from the critical to the constructive? Can culture and its ornaments again weave together agri – culture, from the fields and the soil into the kitchens and further into us?
The cooperation with M12, Colorado, US, was to create a structure for the Gran´s university, by building a physical form for it, and inventing a form of content. In spring 2013, Kultivator travelled to M12 in Colorado, and started the process, using a mobile unit visiting elderly people on the plains. The billboard set up was one first announcement of Gran´s university.
We wish this to be a starting point for a movement that reinvents not only how we look at progress and modernity, but also celebrates the deep connection visual arts and crafts has with the farming of the land.
This collaboration has been supported by the iaspis-programme AirKalmar, run by Kalmar konstmuseum. Other partners in the programme are Lindöateljéerna and Glass Factory. AirKalmar is funded by iaspis, The Regional Council and the local Municipalities.
A bike shed with a green roof.
In cooperation with Brett Alton Bloom, Bonnie Fortune and Trish Roan
more info on this great site "The Mythological Quarter"
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With thanks to Trish Roan, Bonnie Fortune and Brett Alton Bloom for coming.
Workshop leader: Robert Ek
6 and 7 June
08.30 Bus from Kalmar Theatre to Dyestad on Öland
09.00-15.00 Workshop, coffee break and lunch included
15.00 Bus back to Kalmar Theatre.
Adress: Dyestad, Bygata 7, Färjestaden
Digital Culture can be regarded as a praxis of communicative interactions between people on line. We do what we always have done, sharing knowledge, bending reality, but the speed has increased and distances have shortened.
From digital culture may emerge a digital tradition of knowledge gathering, production and collaboration as a mindset practised locally off line and reaching globally on line. Such a contiguous interplay between online interactions and offline practice can be found in different movements such as Occupy, the DIY movement etc., which have emerged on a broad scale in a short time. In this workshop we will participate with Kultivator, a collaborative artist collective working with farming in a local and a global context.
Together we will identify areas of interest for designers, artists, architects, programmers and interaction designers, and we will work collaboratively hands on with problems of knowledge sharing and knitting distant areas together.
The workshop will take place on the Kultivator farm in Dyestad in rural Öland, an island close to Kalmar. Bring rough clothes!
Robert Ek is an interaction designer with a multidisciplinary background in history, media sociology and art.
participants:
Frederic Degouzon, (France). Annabel Pretty, (New Zealand). Maria Luisa Galbiati, (Italy). Eric Maquet, (Belgium). Takayuki Higuchi,(Japan). Junfeng Ding, (China). Steve Diskin, (USA). Yu-Chun Liu, (Taiwan) .Åse Huus, (Norge). Elisa Bertolotti, (Italy).
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