Digital culture workshop

http://cumuluskalmar2013.org/workshop/digitalculture

digital culture53

Workshop leader: Robert Ek

6 and 7 June
08.30 Bus from Kalmar Theatre to Dyestad on Öland
09.00-15.00 Workshop, coffee break and lunch included
15.00 Bus back to Kalmar Theatre.
Adress: Dyestad, Bygata 7, Färjestaden

Digital Culture can be regarded as a praxis of communicative interactions between people on line. We do what we always have done, sharing knowledge, bending reality, but the speed has increased and distances have shortened.
From digital culture may emerge a digital tradition of knowledge gathering, production and collaboration as a mindset practised locally off line and reaching globally on line. Such a contiguous interplay between online interactions and offline practice can be found in different movements such as Occupy, the DIY movement etc., which have emerged on a broad scale in a short time. In this workshop we will participate with Kultivator, a collaborative artist collective working with farming in a local and a global context.

Together we will identify areas of interest for designers, artists, architects, programmers and interaction designers, and we will work collaboratively hands on with problems  of knowledge sharing and knitting distant areas together.

The workshop will take place on the Kultivator farm in Dyestad in rural Öland, an island close to Kalmar. Bring rough clothes!

Robert Ek is an interaction designer with a multidisciplinary background in history, media sociology and art.

participants:
Frederic Degouzon, France. Annabel Pretty, New Zealand. Maria Luisa Galbiati, Italy. Eric Maquet, Belgium. Takayuki Higuchi,Japan. Junfeng Ding, China. Steve Diskin, USA. Yu-Chun Liu, Taiwan .Åse  Huus, Norge. Elisa Bertolotti, Italy.

 


 

Gran’s University with M12

billboard

A cooperation with M12 (http://m12studio.org/)
Last Chance, Colorado and Dyestad, Sweden

Gran’s University is an artwork inspired by Mrs. Vendana Shiva who in 2003 started the Grandmothers University in Navdanya, North India. The aim of the Grandmothers University is to both celebrate and validate the wisdom of our grandmothers, as well as transmitting this to future generations. Members of Kultivator and M12, motivated by this act of sharing generational knowledge have developed the Gran’s University project to build an archive of rural cultural exchanges based on the knowledge of pioneer women. This artwork and cultural exchange can serve as a catalyst for building long-term dialogue about the importance of rural cultural initiatives that specifically address important global issues such as; environmental sustainability; global economies coexisting with local economies; food production; and the ever diversification of the social landscape in remote regions.

Generously funded in part by the National Endowment for the Arts—Our Town and the Gates Family Foundation

 


 

 

Composted mind

Jana Fröberg has spent this spring with Kultivator,
working out compost and cultivation plans. She has studied art as well as gardening.

jana froberg

In a close collaboration between human and microorganisms, materials can slowly be processed into something very valuable. Human only have to create the right conditions, and so specific microbes will show up to do what they’re best at. According to what you set up, a pot of sauerkraut may be produced, or else you stand there, just waiting for compost to happen.

Compost derives from the same word as composition, meaning it’s a pleasant and beautiful mix of materials such as carbon and nitrogen, waste and manure as well as of life and death. No one seems to know where the borderline goes between these two opposites. Maybe simultaneously to the decomposition happening, new humus is built up. Anyhow this humus is of fundamental importance to all life on earth. It’s where it starts, and where it ends.

 

 

compost map

Composts can be constructed in many different ways. 
At the time of my arrival to Dyestad,
all earlier composts lay well hidden under a thick layer of snow.
So it stayed for many weeks, and so I stayed inside
dreaming about the different compost types that could possibly fit into the area. 

 

 

composts plan

Lövkompost –Leaf compost
Förkompostering –Pre composting tombola
Färdig limpa –Open compost
Som en del av växtföljden –Compost as part of crop rotation
Stallgödselkompost –Horse manure compost
Allmänning/kompostplats –Common land / composting space
Maskkompost –Worm compost
Bokashi
Isolerad behållare –Isolated bin
18-dagars compost –18-days compost
Upphöjd kompost–I kombination med varmbänk –Compost in combination to a heated cultivation bench

 


Friendfarm

see the site for more info 

http://www.friendfarm.org/blog/

Friend connections between farms
Micro-cooperations for the global
cultural Future of the rural!

The new multinationals

As a visionary, critical project Friendfarm
want to question
the structures of globalized economy,
and discuss more sustainable relations between
farms and people over the globe.

 

With support o f  

 

Supermarket public brainstorm

  

       15-17 Februari, Kulturhuset in Stockholm

 

 

The studytrip

Uporoto Farm walk


Uporoto Farm work

Uporoto welcome ceremony

Galijembe primairy school

Study visit ASAS dairy farm

Planting in Dar es Salaam

 

 

 


 

Cartographies Of Hope

we were one of the exhibitors of
Cartographies Of Hope: Change Narratives

http://www.dox.cz/en/

 

 

"It's not the story of the battle; it's the battle of the story!"
Patrick Reinsborough

In the last few years we have witnessed how the corrosion of the three main modes of social imaginary that defined modernity – the market economy, the public sphere, and the self-government of citizens – has reached a critical point. As a result, the increasing number of people in different fields, social scientists, artists, public intellectuals, and activists are calling for rethinking and reinventing social change. Such voices, however, are too often fragmented in their respective boundaries, and, consequently, they have not yet been able to articulate a compelling alternative metanarrative that the public would identify with and which would thus result in a major positive change.

The project Cartographies of Hope: Change Narratives was born out of the sense of urgency and the effort to address this situation. It seeks to bring attention to this condition and to call for joint effort to identify alternatives we can agree. The premise of the project is that narratives of social imaginary play a key role in generating positive changes. Social change is always seen as a certain story, which then becomes an important driver of the change itself. This double function of reflection and agency constitutes

a methodological core of the project.

The last couple of decades have been characterized by the dominant influence of neo-liberal ideology, notably by its narrative about the market mechanisms as natural principles penetrating all fields of social life, including education, healthcare, science, and art. The result is rising inequality, thinning social cohesion, and the fragmentation of polity. In this situation, to simply critique and historicize the neo-liberal system is not enough. We need to connect alternative narratives into a coherent whole –
a metanarrative that would provide us with a sufficient social cohesion
on one hand and openness and hope on the other. The project Cartographies of Hope: Change Narratives comprises of an exhibition, two conferences, workshops, and discussions. Its objective is to map different narratives of social imaginary and to start connecting them to a coherent bigger story,  as well as to develop networks and shared databases of individuals and institutions associated with those narratives on local and international levels. The exhibition is organized in several sections and subsections that represent diverse narratives of change, while their sum and sequence indicate a larger picture that may inspire thinking about a new metanarrative:

1.  Multitude of social change (local and global, fast and slow, generational and inter-personal)

2.  Crises (ecologial, financial and economic, political, moral)

3.  Disrespect and protest (forms of disrespect: injustice, inequality, unfreedom, forms of protest, protest movements)

4.  Social imagination (solidarity and participation, moral and political dimensions of economy, global respect and justice, humanity and nature)

Exhibiting artists:

Daniel García Andújar, Kader Attia, Eva Bakkeslett, Michael Bielicky and Kamila Richter, Matthew Connors, Teddy Cruz, Amy Franceschini, Alexandra Daisy Ginsberg, Michael Joaquin Grey, Ingo Günther, Toril Johannessen, Fran Ilich, OS Kantine, Krištof Kintera, Kitchen Budapest, Kultivator, Suzanne Lacy, Steve Lambert, Daniel Latorre and Natalia Radywyl, Lize Mogel, Naeem Mohaiemen, Nils Norman, Christian Nold, Sascha Pohflepp and Karsten Schmidt, Morgan Puett, Oliver Ressler, Abu Bakr Shawky, Superflex, Terreform ONE, Krzysztof Wodiczko,  The Yes Men and Ztohoven.

 Curator: Jaroslav Anděl

 


 

Guerilla composting, Feed-back Belgrade

Belgrade Artfair

On the stone planet Earth, a layer has been added since the beginning of life, 3.9 billion years ago: our  between 5 and 20 cm thick layer of top-soil. 
In this thin layer, the major part of all biological activity of Earth is going on.
Through our various actions  we are either nourishing or depleting this layer.
Adding to this cultural layer might be the most sensible action we will ever perform.

 

 

 

 

 

 

 

 

Worm campain office is an installation that promotes and serves guerilla composting in Belgrade. People are invited to join us and make their own compost tower to take out and install somewhere where they think it is good to feed back some nutrition to the soil. Guerilla composting is the 11:th of the “Post revolutionary exercises”, suggestions of how to prepare for a new order, made in collaboration with middle east artgroups in 2011. The whole serie of screenprinted posters reflect works from visiting artist and our group from now back to 2006. 

Dubica at Kultivator

Kultivator in Dubica

 

 

 

 

 


 

 

Urban chicken coop

Fittja Open 
Sep 22 -  Oct 21, 2012
Botkyrka konsthall

 

Kultivator for Fittja Open; Top soil take two
Nurturing the soil; gardens – cafe – gardens – cafe…etc

 

Some composting plans from Kultivator
For the café/restaurant at the residency, we would like to install two compost systems:   One in form of a chicken coop, that will transform leftover food from the cafe into egg and manure. Leftover food can be thrown in by the guests themselves, in the special opening at the front, (1)The eggs are picked in the box (2) and the manure, (most of it) can be collected from the box (3). The manure should be brought down to the allotment gardens, to fertilize the same soil that the vegetables once grew in. We might mark that somehow by a sign “destination gardens” or some simple illustration.
The second is a raised bed growing curly kale or kitchen kale (its not green cabbage, I think its called curly kale or kitchen kale..)  with incorporated in it containers for compost. This compost works with the same principle as the wormtowers, and will let worms transport the nutrition right out to where the vegetables grow, see drawing. In this compost things that chicken does not really like, like potato peel, coffe, fruit peel, teabags, etc could be put, thus more directly from the kitchen.
The chickencoop will stand for two weeks in Sept- Oct, and could after this possibly be donated to for example the allotment gardens, or another group/community if there is interest. Of course this is only an option if there is someone who really wants and knows how to take care of the animals.
The raised bed could be a nice piece remaining close to the house, for those who wants to keep on putting kitchen waste in it. The curly kale will grow on, even under snow (!) The soil around the compost containers insulates the containers,  and makes it possible for the composting process to go on also when its cold.

 

 


 

Guerilla composting, Feed-back Berlin

 

 

 

 

 

 

 

 

 

 

Kunstraum Kreuzberg/Bethanien

1st September to 28th October 2012

Opening: Friday, 31st August 2012, from 7 pm
Hungry City. Agriculture in contemporary art

more info

 
On the stone planet Earth, a layer has been added since the beginning of life, 3.9 billion years ago: our  between 5 and 20 cm thick layer of top-soil. In this thin layer, the major part of all biological activity of Earth is going on. Through our various actions  we are either nourishing or depleting this layer. The interaction of microorganisms in the top-soil and life above means without exaggeration everything for life’s further progression.
The lack of organic matter brought back to the soil  in modern large scale farming is rapidly destroying invaluable top-soil worldwide, putting the whole foodproduction of the future at risk. Recent years guerilla gardening is a fantastic movement, addressing many of the problems connected to industrial agriculture and urban – rural disconnection. For the show Hungry city, Kultivator will make an action of “guerilla composting”, that adds to this practice, and encourages people to feed – back nutrition to the ground they live on.

Prior to the opening, we will dig down a few wormtowers on green spots nearby the exhibition space/area. Inside the exhibition, we will set up a “worm campaign office”, where information on the wormtowers, (how they work, how to make them, why its good, etc) will be displayed, as well as tools, materials and of course worms. During the opening weekend , we will ask visitors to join us and make their own tower to take out and install somewhere where they think it is good to feed back some nutrition to the soil. The worm office will also have a presentation of Kultivators previous works by the poster series “Post revolutionary exercises; ten suggestions of how to prepare for a new order”, reflecting previous projects, from now back to 2006. The Guerilla composting will be the 11:th of these exercises, and a new poster will be made for it. After we leave, for the rest of the exhibition period,  the worm office will still be interactive, for those who wishes to make their own wormtower and guerrilla composting action.

A worm tower (vermicompost) is a perma culture method of composting, that simply uses free-ranging compost worms to break down organic waste and then move those nutrients out into the surrounding. A pipe, for example a drain pipe, is dug into the ground, sticking up 10 – 20 cm. Dry organic matter, like leaves or grass, and worms are inserted, and on this you can throw kitchen waste, like leftover food, potato peel, etc. The worms eat the waste and crawl out of the pipe again to spread the processed matter further. The method is often used to direct nutrition to one certain tree. A lid prevent birds or rats from picking the waste out from the top.

 


 

Time banking at ANA

Kultivator  at  a residence atANA,
Astrid Noacks atelier: 
http://astrid-noack.dk/english.

In this time we will present and perform time banking, a form of alternative economy.We hereby invite all who would like to work/exchange time to improve the backyardand front facade of the house from 15th – 17th of june.The work will end with the Backyard feeding party the 17th of june at 19.00.

 

the Timebank

From each according to his abilities, to each according to his needs.”

Louis Blanc

 

The collaboration-form the Timebank started with a couple of families on Öland, Sweden, in 2010, and is now involving about 10 households, with activities about 10 times a year.
Briefly, the Timebank is a simple structure for exchange of time and work between the participants. The exchange enables large labor-intensive effort for maintenance or new construction to homes, farms, festivals, weddings, etc., with minimal financial effort. Once a participant has a need to get a job done, it is advertised on the group’s Facebook page, date and time are determined, and anyone who can shows up and contribute what they can, until the work is done. Food, drinks, sleeping-place and nice atmosphere is on the one who invites. The Timebank does not count hours or credits, but is based entirely on the participants’ idea of ​​what they can and want to contribute, and what they should get back, according to the famous principles of French socialist Louis Blanc.

Kultivator is one of the founders of the Timebank, others are artists, small farmers, musicians, teachers, carpenters, etc, with all in common that they try to restore or maintain cheap but old and often derelict buildings in combination with small companies or enterprises.
The Timebank was not set up as an artproject, but evolved out of a practical need and has become an important part of social life on the island, often replacing the more traditional “sitting down and talking” party.