Ditch it

Ditch it

The International Gallery18 September – 2 October
Liverpool Biennial 2010
Curated by James Brady and Janette Porter (http://www.hightideuk.org/)
Ditch it
Environmental activism by play, art, and small and large animals, coordinated by Swedish art and agriculture initiative Kultivator.
Kultivator is located on a flat limestone island that lacks natural rivers. Instead, there are man made ditches, that already since century’s are leading water away from the island to the sea, to create more ground for cultivation and pastures. This has resulted in more land for people to feed on, but is also causing serious problems in the Baltic sea. The ditches carry the water quickly out, bringing with it nutrients leaking out from fertilized fields. This overfeeding of the sea results in an overproduction of algae, and dying seabeds due to lack of oxygen.
Already since years, commercial fishing outside the coast of the island has ceased, and the beaches clog of rotting or poisonous algae, making it hard to play in the shallow water. In the inland the plants and animals living in small freshwater pools and swamps has less and less space to live and breed. The process is a matter of both time and space. If the fresh water is contained and stays on the island longer, microorganisms and larger animals and plants can process the nutrients in the water. If a little bit of land/space is given back to the wetlands, more can eventually be used in the sea. This is a well known fact, but due to slow bureaucratic procedures and land owner issues little happens on a large scale. Time and nutrients passes…

In May 2010, Kultivator dug a pool next to one of these ditches. The water from the ditch was led into the pool and kept there. Water, plants and animals from natural pools was added to it, and a solar powered pump installed to give oxygen. In a small pool like this, it is beneficial if the water is sometimes stirred, what ducks and larger animals normally would do. Unfortunately, no wild ducks introduced themselves, so the village kids, with their remote control boat, some plastic toys and their dog would do that work during the summer. Meanwhile, under the surface, more and more microorganisms established themselves. Dragon flies appeared over the pool. Five freshwater mussels was put in, and to make it possible for them to reproduce, three goldfish were introduced. After a few weeks, shoals of small fish appeared. Probably the offspring of the goldfish. As a result of a project from a visiting artist the Asian water ferm Azolla was added, that can double its biomass in two days, under ideal conditions. It did. The Azolla was harvested to be used as green fertilizer on the raised beds of Kultivator, and fed to chickens and pigs. The pool is now containing salamanders, goldfish, frogs, bugs, worms, barbie dolls, some sunken ship and mussels and all these other little things we don’t know the name of. It also contained and processed nutrients that all this lived from during the five months it existed. The sea never even knew.

The wedding between art and agriculture

The wedding between art and agriculture

The wedding between art and agriculture

The Wedding Between Art & Agriculture, 2011. (Full version, 39 min). By Thomas Gunnar Bagge
A documentary about KULTIVATOR, an experimental cooperation of organic farming and visual art practice, situated in rural village Dyestad, on the island of Öland, Sweden.
In the summer of 2010 Kultivator initiated The Wedding Between Art and Agriculture, an artist conference and public ceremony which intended to unite the two ancient activities. The film shows the preparation process before the wedding ceremony – with flashbacks to a variety of agricultural and social projects that Kultivator have initiated, and thus gives a glimpse into the experimental and idealistic world of Kultivator.
The Wedding Between Art and Agriculture, in Dyestad, Öland
22 – 24th July 2010
Two ancient human activities will solemnly marry during a three-day wedding in the farm of Kultivator on Öland, Sweden, in this summer. The first two days involve a group of 20 especially invited people that work with the preparations. The last day, 24th July, the public is welcome to attend the ceremony and participate in the celebration that precedes and follows Art and Agriculture will be put together, asked to condition themselves to each other and with the marriage go into a steady relationship. Cultural involvement in the development of future systems for food production is not about using a few creative minds to improve details of the whole. It is about making food production and farming a part of public awareness and knowledge. It is about sharing and discussing necessary decisions for the future openly and commonly. It is about enabling people to take active part in building systems and processing experience – through art + agriculture.
For five years, the experimental platform Kultivator has initiated, attended to- and executed projects that examines the context and cross-fertilization between agriculture and art. In these often international activities Kultivator have encountered a growing number of organizations and individuals involved in this field. A selected group of those are now gathering on the farm in Dyestad. They will during two days jointly prepare a suitable ritual, festivity and discussion topics fitting this historical association. The wedding is a transparent, public manifestation, but also the formal creation of a network between related organizations and individuals. The wedding has been prepared during a three month long exhibition in Kalmar art museum, and a review (in Swedish) can be read here:
http://kultivator.net//images/dn.jpg
Organizations participating in Dyestad are:
Plataforma Rural, Fernando Garcia, SP, My Villages, Wapke Feenstra, Serde, Signe Pucena, Ugis Pucena,
Grizedale Arts, Adam Sutherland, The Australian A & A ACRE Network, Ian Tully, AU, Kalmar Art Museum, Inger Stjerna SE, Fiona Woods, Louise Lövmo, People’s University, SE, Helle Kvamme, Yellowbox
Gijs Frieling, / NL, Andrew Paterson, SCO , Erik Sjödin, SE, Benn Sena da Silva, DK, Randy Albright, U.S. / P, Thomas Bagge, DK, Mia Sloth Moller, DK

Those invited will include wedding speech, in which they formulate the possible opportunities and challenges this new relationship is facing. They will also in consultation with Kultivator design ceremony itself, which is therefore up to the date itself is unknown. We will during the day, before the ceremony, have workshops in: Vodka production in Latvian style, Cook and taste the future of fast food, Sketch out a dream farm, and also have talk sessions with the invited organizations. The International village shop by My Villages and Wapke Feenstra also opens up in our farm shop.
Brief information about the artists who have done special work to the wedding:
Gijs Frieling, NL (director W139, winner of the Prix de Rome, an associate professor at Rijksacademie Amsterdam, etc, etc) in Falu red mural of a purpose-built outdoor kitchen to the wedding.
Benn Sena da Silva, DK (utb. Warsaw Academy of Fine Arts, Rietveld Academy) One of the farm’s tractors painted in Delft blue porcelain.
Andrew Paterson, SCO (Andrew Paterson Gryf artist-organizing, Educator, Cultural producer, and independent researcher, based in Helsinki, Finland.) Clipkino Events Art and Agriculture.
Fiona Woods infrared (MA Art in the Contemporary World NCAD Dublin, Ireland) Showing and working on collaborative trans-european network for local production.
Michel Bussien SE “Sheep Lawn Mower” an application for Sheep.
Mathieu Vrijman GB / NL (founder Kultivator, Rietveld Academy) work on the show and the work “Camp” that will entertain the wedding guests, discussion groups and audiences in the wedding, and rebuilt as a remake of the camp from the television series MASH.
Marlene Lindmark SE (State Kunsthöyskole, Oslo) Make a dinner set for the wedding dinner with ornaments of over 200 parts second hand china.
Wapke Feenstra, NL; My Villages, shows “The international village shop with
Erik Sjödin SE. Shows his work “Super Meal” that is centered around growing, eating and cooking the super plant Azolla, also shown at Färgfabriken summer of 2010.
Sisters of Sättra SE Radical sewing circles, Öland; draft before the wedding dress of silage plastic.
Ingegerd Peterson, Loom with barbed wire

Goings On Beirut

Goings On Beirut

Goings On Beirut

Werk in collaboration with 98weeks Project Space presents Goings On
A meeting of international independent art spaces taking place in Beirut.
Goings On is a temporary platform that encourages creative exchange between independent practitioners. The aim is to facilitate communication about site specific and locally generated knowledge in a friendly and conducive environment. Goings On brings together practitioners for critical debate and exchange, providing opportunities for participants to reflect on their own practice while staying informed by a wider context. Goings On consists of project presentations, moderated discussions and collaborative group work as well as sharing meals and hanging out together.

Participants: Pikene på Broen (Norway), Kultivator (Sweden), rum46 (Denmark), El Hervidero (Spain), All Art Now, (Syria), Samandal (Lebanon), Makan House (Jordan), Medrar (Egypt), Cura (Turkey) and more.

Banns of marriage

Banns of marriage

Herbologies/Foraging Networks

Initiators/Organisers: Andrew Gryf Paterson (SCO/FI), Ulla Taipale / Capsula (FI/ES) and Signe Pucena / SERDE(LV).
expedition to rural Kurzeme, Western Latvia

The Herbologies/Foraging Networks programme of events, focused in Helsinki (Finland) and Kurzeme region of Latvia, explores the cultural traditions and knowledge of herbs, edible and medicinal plants, within the contemporary context of online networks, open information-sharing, biological and hydroponic technologies.
The traditions of finding and knowing about wild food in the local Nordic environment are slipping away from the current generation. How can one attract their attention: With books, online maps, workshops, mobile-guided tours, open-source information or DNA code? Or learn how to grow them yourself, over the dark winter months?
The Pixelache Festival events introduce the different meeting points between the three collaborating partners, including seminar presentations by international artists and Finnish botanical experts; workshops sharing that knowledge with the public; a round-table discussion about foraging in the urban context; and a localised manifestation of the Windowfarms Project
(US).
Following, in a midsummer expedition to rural Kurzeme, Western Latvia, SERDE Interdisciplinary Art Group will lead fieldwork to learn about the cultural heritage of Balts using wild plants, and create documents for the younger ‘digital native’ generation.

Banns of marriage

Herbologies/Foraging Networks

Herbologies/Foraging Networks

Initiators/Organisers: Andrew Gryf Paterson (SCO/FI), Ulla Taipale / Capsula (FI/ES) and Signe Pucena / SERDE(LV).
expedition to rural Kurzeme, Western Latvia

The Herbologies/Foraging Networks programme of events, focused in Helsinki (Finland) and Kurzeme region of Latvia, explores the cultural traditions and knowledge of herbs, edible and medicinal plants, within the contemporary context of online networks, open information-sharing, biological and hydroponic technologies.
The traditions of finding and knowing about wild food in the local Nordic environment are slipping away from the current generation. How can one attract their attention: With books, online maps, workshops, mobile-guided tours, open-source information or DNA code? Or learn how to grow them yourself, over the dark winter months?
The Pixelache Festival events introduce the different meeting points between the three collaborating partners, including seminar presentations by international artists and Finnish botanical experts; workshops sharing that knowledge with the public; a round-table discussion about foraging in the urban context; and a localised manifestation of the Windowfarms Project
(US).
Following, in a midsummer expedition to rural Kurzeme, Western Latvia, SERDE Interdisciplinary Art Group will lead fieldwork to learn about the cultural heritage of Balts using wild plants, and create documents for the younger ‘digital native’ generation.

Wedding cake of no return

Wedding cake of no return

Supermarket Artfair 2010, Kulturhuset, Stockholm.
We made a wedding cake, announcing the wedding between art and agriculture, for visitors to eat